Showing posts with label Gene Kelly. Show all posts
Showing posts with label Gene Kelly. Show all posts
Friday, June 29, 2012
Saturday, June 2, 2012
Wednesday, May 30, 2012
MGM Stars
They say that MGM had more stars than heaven did, and guess what, I found this rare picture of the stars of MGM, celebrating Louis B Mayer's birthday! Okay, actually, this photo is available everywhere, but I never typed those keywords. That's the problem with the Internet: you have to know what you are finding; there's no such thing as random browsing.
Anyway, here it is:
I love Lucy!Anyway, here it is:
I've always known that Lucille Ball is in this picture (I mean, look at her symbolic red hair!), but someone from Instagram told me that her husband Desi Arnaz was in the picture too! That made me so excited! Can you spot him?
Here are some photos from @welovelucilleball at Instagram for you to grab:
Front Row: James Stewart, Margaret Sullavan, Lucille Ball, Hedy Lamarr, Katharine Hepburn, Louis B Mayer, Greer Garson, Irene Dunne, Susan Peters, Ginny Simms, Lionel Barrymore
Second Row: Harry James, Brian Donlevy, Red Skelton, Mickey Rooney, William Powell, Wallace Beery, Spencer Tracy, Walter Pidgeon, Robert Taylor, Pierre Aumont, Lewis Stone, Gene Kelly, Jackie Jenkins
Third Row: Tommy Dorsey, George Murphy, Jean Rogers, James Craig, Donna Reed, Van Johnson, Fay Bainter, Marsha Hunt, Ruth Hussey, Marjorie Main, Robert Benchley
Fourth Row: Dame May Whitty, Reginald Owen, Keenan Wynn, Diana Lewis, Marilyn Maxwell, Esther Williams, Ann Richards, Marta Linden, Lee Bowman, Richard Carlson, Mary Astor
Fifth Row: Blanche Ring, Sara Haden, Fay Holden, Bert Lahr, Frances Gifford, June Allyson, Richard Whorf, Frances Rafferty, Spring Byington, Connie Gilchrist, Gladys Cooper
Sixth Row: Ben Blue, Chill Wills, Keye Luke, Barry Nelson, Desi Arnaz, Henry O'Neill, Bob Crosby, Rags Ragland
Here are some photos from @welovelucilleball at Instagram for you to grab:
Sunday, February 26, 2012
Du Barry was a Lady (1943)
Here's a review on a old Hollywood musical film, an adaptation from Broadway: Du Barry Was a Lady.
Before composing the review, I would like to discuss the feud between Hollywood and Broadway. Without saying, many would prefer the original Broadway version to the film version. It's just a whole different experience to watch a play as live audience-- certain emotions cannot be procured in a movie theatre. Sometimes I do wonder why Hollywood would want to purchase film rights from Broadway to make those unparalleled musicals into movies. Sure, it is a guaranteed way to earn money from us movie-goers-who-choose-to-watch-movies-instead-of-Broadway-musicals-due-to-budget-constrains, but can they stand the disgruntled rotten tomatoes? Look at how full of angst fans of Phantom of the Opera exuded.
Nevertheless, I'm biased when it comes to Lucille Ball. But objectively speaking, she's the type of actress who whenever presented with a weak script, would come out of the script and make the plot alive. She's the kind of a person who would give 120% when only 100% is required of her. Even movie critiques and professional reviewers concur these statements (I've read those statements!). And we all know how harsh and brutal these experts could be.
"Now I'm not falling for anyone until I see the whites of their checkbooks."
Lucille Ball was cast as May Daly/ Madame Du Barry
Red Skelton was cast as Louis Blore and Louis XV
Gene Kelly was cast as Alec Howe and The Black Arrow
So the story goes like this: May Daly is a talented and beautiful nightclub singer. She vows not to fall in love with a man with no dough after seeing how hard her parents had to work to survive in the harsh city of New York. Both employees in the nightclub, Louis Blore and Alec Howe are deeply in love with her. Of course, May Daly loves Alec, but because he is virtually penniless, she chooses to subdue her feelings for him. One day, Louis wins the Irish Sweepstakes and becomes a millionaire overnight. He proposes to May Daly, who accepts it. May Daly makes it clear to Louis that she isn't in love with him, but she says her yes because he can provide her stability. Louis accepts it, and fervently believes that he can win her heart one day.
Louis is accidentally slipped a mickey and he falls into a deep sleep. He dreams he is the corrupted King Louis XV, who uses all his money from extorting the peasants to woo the impossibly demanding and selfish Madame Du Barry who is May Daly, and Alec is The Black Arrow, the hero who wants to assassinate the tyrant king. After a series of slapstick comedy, Louis wakes up from the dream and realizes that money cannot buy love. May Daly finally awakes from her stupid philosophy and decides to marry Alec, and the story ends on the typical happily-ever-after note.
A side note: I just realize how well I can write a synopsis!
From the summary, you could see how tough it is for an actress to take up the role of May Daly or Madame Du Barry. One would first need to get all gussied up for the role of a perfectly groomed singer in a nightclub; that kind of sophisticated and serious woman who is hard to get. Then, one would need to be recast into a selfish and demanding queen, and be spun into a series of crazy comedic routines that would make the character a complete antithesis of the nightclub singer. I must proclaim that with such a tough role, only Lucille Ball would be able to take it up. Maybe Sandra Bullock can do it too.
I love the movie not just because of Lucy, not just because of Gene Kelly, but also because the songs were all written by Cole Porter. I love "Friendship". And my favorite number is "Do I Love You." It just melts my heart! The lyrics, the melody and the rhythm, the answer of "Yes, I do love you" is just encapsulated in the song.
Do I love you, do I? Doesn't one and one make two?
Do I love you, do I? Does July need a sky of blue?
Would I miss you, would I? If you should ever go away?
If the sun should desert the day, what would life be?
Will I leave you, never? Could be ocean leave the shore?
Will I worship you forever? Isn't heaven forever more.
Do I love you, do I? Oh my dear, it's so easy to see.
Don't you know I do, don't I show you I do just as you love me.
I guess this lyrics seems kind of familiar to my Twitter followers. Each time my iPod plays this song sung by Ella Fitzgerald, I'll type the lyrics out and send it to the virtual world. It's simply poetic. If someone I love were to look into my eyes, play the piano and sing this song to me, my cold heart would melt!
Gene Kelly did a phenomenal job of singing this song. His tap dance was, not surprisingly, excellent as well.
Red Skelton is without speaking, one of the best slapstick comedians ever. I think Lucy learned a lot from him! You could see hints of a future Lucy Ricardo in this movie!
Tuesday, February 7, 2012
Movie Review: Ziegfeld Follies (1946)
I finally had the pleasure to watch the extravagant Hollywood musical by Metro Goldwyn Mayer (MGM), Ziegfeld Follies. The movie was amazing because it starred many of MGM's greatest stars ever, including Fred Astaire, Lucille Ball, Judy Garland, Gene Kelly, William Powell, Red Skelton, Esther Williams, and many others, who I am not familiar with.
Vincente Minnelli, the father of the famous Liza Minnelli we all know today (if otherwise, watch Sex and the City 2, she sang Single Ladies), and the then husband of Judy Garland, was one of the movie directors.
Who says Hollywood cannot produce musicals like Broadway? I found Ziegfeld Follies enjoyable! MGM really proved this sweeping statement wrong.
William Frawley was one of the supporting actors in one of the acts! It's amazing how Lucille Ball and William Frawley appeared in the same movie, yet never spoke until I Love Lucy!
Fred Astaire sang Here's to the Girls, and Lucille was the princess/dancer.
She then cracked a whip over the chorus girls.
Esther William was a mermaid, dancing underwater. Of course, she was wearing waterproof make up.
Another highlight of this musical was Fred Astaire dancing with Lucille Bremer. They were magnificent together. Dancing on the moving treadmills and rotating floors was so breathtakingly exciting!
In fact, Lucille Bremer was Fred's dance partner in 3 of his best routines.
Judy Garland was... Judy Garland-ish.
What can I say? She was a great dramatic actress and a great singer. And being gorgeous helped much!
I couldn't wait to see Fred and Gene Kelly together. Indeed, their number was great. Seeing the two men together was an awesome feeling-- they could dance, tap dance and sing equally well!
I long for happy peppy musicals or movies where all the Hollywood people come together to strut their stuff. But today's stars have too huge an ego to star together with others of the same status and popularity. Even if they have movies of this sort, somehow, they suck. I don't know what people think of New Year's Eve (starring Katherine Heigl, Zac Efron, Sarah Jessica Parker, Ashton Kutcher, Josh Duhamel, Jessica Biel, etc, etc), it most certainly didn't suck, but it wasn't hands-down wonderful too. One might think that he wouldn't be disappointed with all the wonderful celebrities around, but one was wrong.
Hollywood stars back then were irrefutably talented. They could dance, sing and act. Even if they could do none of these, they at least looked drop dead gorgeous. Nowadays, too many Hollywood celebrities can do none of the above. Some of them aren't even good looking, without the stage make up and all. Of course, there are exceptions! I'm crossing my fingers and hoping that more talents would emerge.
For fans of splashy musicals from the 1940s, Ziegfield Follies is a must watch!
Vincente Minnelli, the father of the famous Liza Minnelli we all know today (if otherwise, watch Sex and the City 2, she sang Single Ladies), and the then husband of Judy Garland, was one of the movie directors.
Who says Hollywood cannot produce musicals like Broadway? I found Ziegfeld Follies enjoyable! MGM really proved this sweeping statement wrong.
William Frawley was one of the supporting actors in one of the acts! It's amazing how Lucille Ball and William Frawley appeared in the same movie, yet never spoke until I Love Lucy!
Fred Astaire sang Here's to the Girls, and Lucille was the princess/dancer.
She then cracked a whip over the chorus girls.
Esther William was a mermaid, dancing underwater. Of course, she was wearing waterproof make up.
Another highlight of this musical was Fred Astaire dancing with Lucille Bremer. They were magnificent together. Dancing on the moving treadmills and rotating floors was so breathtakingly exciting!
In fact, Lucille Bremer was Fred's dance partner in 3 of his best routines.
Judy Garland was... Judy Garland-ish.
What can I say? She was a great dramatic actress and a great singer. And being gorgeous helped much!
I couldn't wait to see Fred and Gene Kelly together. Indeed, their number was great. Seeing the two men together was an awesome feeling-- they could dance, tap dance and sing equally well!
I long for happy peppy musicals or movies where all the Hollywood people come together to strut their stuff. But today's stars have too huge an ego to star together with others of the same status and popularity. Even if they have movies of this sort, somehow, they suck. I don't know what people think of New Year's Eve (starring Katherine Heigl, Zac Efron, Sarah Jessica Parker, Ashton Kutcher, Josh Duhamel, Jessica Biel, etc, etc), it most certainly didn't suck, but it wasn't hands-down wonderful too. One might think that he wouldn't be disappointed with all the wonderful celebrities around, but one was wrong.
Hollywood stars back then were irrefutably talented. They could dance, sing and act. Even if they could do none of these, they at least looked drop dead gorgeous. Nowadays, too many Hollywood celebrities can do none of the above. Some of them aren't even good looking, without the stage make up and all. Of course, there are exceptions! I'm crossing my fingers and hoping that more talents would emerge.
For fans of splashy musicals from the 1940s, Ziegfield Follies is a must watch!
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